Informal Host
2016 | Participatory art installation | 244x366cm particleboard, textile | Where: Graduation show Maastricht Institute of Arts
Over the course of three months Informal Host has been a meeting platform within the Maastricht Institute of Arts for planned and spontaneous dialogues, workshops, lectures, debates and discussions. As such, it operated as a host for sharing and generating experiences, learning and reflection.
One of the main inspirations for this project was the book 'The Ignorant Schoolmaster' by Jacques Rancière written in 1987. The greater part of the book is devoted to a description and analysis of his pedagogical mission which he called "intellectual emancipation". Furthermore, Ranciere repositions the role of the pedagogue in his book. He reenvisions this role from an all-wise, top-down teacher who educates his non-knowing students into someone who acts as a catalyst that guides students to further develop their own intellectual emancipation.
Informal Host was occupying a central space within the art academy, a surrounding that has its own pre-existing structure and rules. This space normally was used as a typical educational setting; a classical classroom setup with chairs, tables, a projector, and sometimes an omniscient teacher figure at the front while obedient students where listening at the back. With this work I tried to both influence and understand the learning process and the emancipation that results when those, sometimes subtle, hierarchies and other pre-existing structures are overturned.
The intention of the work is threefold. Firstly, the work has a discursive function. It is a platform to critically reflect, pose questions, and discuss the pre-existing social and pedagogical structures of the art academy. Thereby participants generate new insights and ideas about what it means to be an art student and how, why and if art can be thought, questioning and perhaps undermining prescribed ways of practicing, teaching and learning about art.
Secondly, the work provides a platform for art students to independently organize public dialogues, workshops, lectures, performances and so on, that they otherwise would be unable to organize in their own studio space.
Thirdly, the tent functions as a safe and cosy space that creates a comfortable and intimate surrounding. In this setting, the act of relaxing and 'doing nothing' could become something more than just laziness; embracing the idea that non-work might include other forms of production.
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